Monday, October 26, 2020

Wikipedia Trail: From Palisade to Underground Hangar

So the article that I started at was "Palisade", which I has looked up for my story I'm writing for my Novel class.

A palisade is basically a simple defensive wall made of wooden stakes, often entire logs that have been cut down, but sometimes just pieces of them. The ends are often sharpened into points to make it harder to get a firm grip on the time to climb over and to make it potentially dangerous to do so. Palisades were also often reinforced with a degree of terraforming, such as digging a ditch or elevated the ground leading up to the palisade. Palisades were useful in that they could be set up quickly using local materials, since they were just made of wood. But of course, that also made them relatively weak when compared to more permanent structures.

The next article I went to was "Cave Castle", which was listed in the Fortifications category box at the bottom of the Palisade page.

I thought the concept of a castle constructed in a cave was really interesting, so I looked into it. The basic idea behind the castles is that it greatly decreases the number of directions from which the castle could be attacked. With the rock surrounding three of its sides, it made for an excellent defensive position, forcing attackers to come directly at the front of the castle. In addition to that, the caves could be used to create a secret escape route if they were enlarged or altered properly. That could be used to escape if necessary, or to sneak in food in the face of a siege.

The next article I arrived at was "Hardened Aircraft Shelter", which was also off of the Fortifications category box at the bottom of the Cave Castle page.

A hardened aircraft shelter, or protective aircraft shelter, known commonly in shorthand as HAS and PAS respectively, is a type of reinforced hangar used to protect military aircraft from enemy attack. However, such shelters are not cheap to build and additionally, due to the practicalities of building them, only fighter size aircraft could be stored within them. Their effectiveness dropped significantly over time, as modern smart bombs could pierce such shelters and destroy the aircraft within them.

The final article I ended up at was "Undergound Hangar", which was a direct link from the Hardened Aircraft Shelter page.

Generally speaking, an underground hangar was basically a far larger and more effective version of a hardened aircraft shelter. They would be dug into the side of a mountain, which made them much harder to destroy or capture. They could store much larger amounts of aircraft, and could also contain facilities reminiscent of a military base in order to keep the aircraft properly operational, such as fuel and ammunition storages and maintenance areas.

Image of the cave castle Predjama in Slovenia.

Friday, October 23, 2020

Week 9 Story: Rise of the Dragon Princess

Rise of the Dragon Princess

Fujihara was a brave warrior who was well-renowned for her skill with a longbow.

One day, as she went around in search of adventure, she came before a bridge that spanned across a large and beautiful lake.

Sitting upon the bridge was a massive and extraordinarily long dragon. The creature was coiled around the bridge several times, and the width of its body was at least that of three men standing abreast. The dragon's snowy white scales shone brightly and smoke drifted out of its nostrils. However, its eyes were closed and the great creature did not stir.

Fujihara stood unsure as to what to do. She could continue forward and potentially risk the dragon's wrath, or turn back in search of adventure elsewhere. But Fujihara was brave, and so she walked across the dragon's coils to continue on her way.

"Warrior with the pale purple hair, have you no fear of a dragon's ire?" a voice called from behind her.

When Fujihara turned, a stunning woman in white robes stood where the dragon had been. She had pure white hair, but looked no older than Fujihara herself. A crown fashioned to look like the head of a dragon sat upon her head, and golden dragons were printed on her robes.

"A dragon is a creature as mortal as any other," Fujihara said, "and so I continued on my way. What of it?"

"Then you are brave indeed," the woman said. "Perhaps it is you who can finally help me."

"Who are you?" Fujihara asked. "What did you do with the dragon?"

"I am the Dragon Queen," the woman said. "It was I that you stepped over just now."

"And what need would a Dragon Queen have for a mortal warrior such as myself?" Fujihara asked.

"A great and diabolic centipede has made its home in the mountains nearby," the Dragon Queen said. "Each night it carries off one of my children or grandchildren and none of us have the courage to slay it, for we have lost so many." 

The Dragon Queen prostrated herself upon the ground. "And so I humbly ask that you help us by slaying the terrible creature," she said.

"But why me?" Fujihara asked.

"You are the first warrior to have the courage to walk over me," the Dragon Queen said. "I waited here in hopes of finding a warrior with enough courage to move past me, but all before you have turned and fled once they caught sight of me. And if they could not face me, they stood no chance of slaying the vile centipede."

"Very well," Fujihara said. "I will help you to slay this enemy of yours."

"Thank you," the Dragon Queen said and rose. "If you will but follow me, we can wait in the palace for the centipede to arrive tonight, for that will be the easiest way to fight the creature."

Fujihara followed the Dragon Queen and she walked down to the water's edge. When she stood at the edge, she flung her hands apart in a sweeping motion and the water parted before her to create a channel ten feet wide in which no water flowed. 

Fujihara followed her down into the lake and they descended until they reached the center of the lake, in which there was a stunning palace made of white stone. A massive bubble of air surrounded the entire palace, and once they were within its border, the Dragon Queen closed the channel of water behind them.

Within the bejeweled palace filled with riches beyond belief, Fujihara was treated to a wide array of exquisite dishes created from the finest ingredients and served upon plates of precious metals.

 Finally, a few hours after the sun set, the ground began to rumble.

"It comes," the Dragon Queen said. "Are you ready, warrior?"

Fujihara adjusted her quiver and noted she had only three arrows left. "I am ready, bring me to the point from which I can take aim at this foul creature," she said.

The Dragon Queen performed a motion with her hands and a platform made of wind formed beneath them. They shot to a point high above the surface of the lake. From there, Fujihara caught her first glimpse of the massive creature.

The huge centipede stretched for miles over the mountains and its body was as wide as a house. The creature's churning feet sounded like drums beating upon the ground and the creature's two huge eyes were like crimson beacons in the night.

Fujihara took aim with her longbow and loosed an arrow. The arrow struck the side of the centipede's head, yet the arrow failed to penetrate.

Again, Fujihara took aim and her arrow flew true, striking the centipede in the center of its head. But the arrow again glanced off of the creature's hide.

"Your arrows fail to pierce the creature's chitinous hide," the Dragon Queen sobbed. "There was never any hope to begin with then..."

"It is not yet time to give up hope," Fujihara said.

Fujihara took hold of her final arrow and then slashed the tip of the arrow across her palm. The arrowhead bit into her flesh and blood wept from the wound. Fujihara coated the arrow's head in her blood and then nocked the arrow in her bow. She drew, took aim and then released the arrow.

The arrow flew straight and true, landing right between the creature's eyes. And this time it pierced the creature's hide, burrowing deep into the monster's brain.

The centipede froze, and then the lights of its eyes dimmed and the creature crashed to the ground in a deep and reverberating thud.

"You did it!" the Dragon Queen exclaimed. "But how did you know your final shot would pierce the creature's hide?"

"It's been said that a human's blood is toxic to centipedes, and so I used the creature's weakness against it," Fujihara said.

"How wondrous," the Dragon Queen said. "And with that, you have saved myself and all of my family. For a feat such as that, you deserve to be rewarded. And so I would like to offer you the the opportunity to become a Dragon Princess and all of the power and riches that entails."

"I would like that," Fujihara said.

"Additionally, if you will take him, I would like to offer you my eldest son in marriage," the Dragon Queen said. "He is strong and courteous and will grant you powerful heirs to carry on your legacy."

"Very well," Fujihara said. "If I find your son to be amenable, I shall take him as my husband."

Fujihara found the Dragon Queen's son to be worthy of her and so they were thusly married and had many powerful children to succeed them. The dragons she spawned were all born with pale purple hair and they became renowned for their great courage and martial prowess, especially against any dreadful giant centipedes that dared to show themselves.


Author's Note:

So I made a couple of changes to this story when I created my telling of it.

The first notable change I made was doing a gender swap of the Dragon King to a Dragon Queen and making the male hero female instead. I thought that would be a good way to help get me to make sure my story was notably different than the original by changing the characters at play.

My Dragon Queen is much more proud than the Dragon King of the original story, who was much more fearful. I thought this was a logical change, since dragons are rarely fearful in most stories.

I also cut out the large sections in the original story in which the hero feasted with the Dragon King, for those added little to the story.

I changed the thing that slayed the centipede from saliva to blood because I thought saliva was rather strange, so I went with blood instead.

The largest change I made to the story was the ending, since the original story had the hero leaving the dragons behind with an array of gifts from them in his possession. I decided to instead have her stay with the dragons and become the next Dragon Queen.

I made the hero's hair color a pale purple because her name, Fujihara, means "wisteria field", and wisteria is a lavender flower.

The other changes I made were all minor and just changes to small details with no major significance.

I hope you enjoyed reading my story!


Bibliography:

Story Source: "My Lord Bag of Rice" by Yei Theodora Ozaki [Part A] [Part B] [Part C]

Image Source: Dragon vector by OpenCliapart-Vectors

Tuesday, October 20, 2020

Week 9 Reading: Japanese Fairy Tales (Ozaki), Part B

Of the readings in Part B, two of them somewhat interested me.

The first was "The Goblin of Adachigahara". The story is about a priest who unwittingly wandered into the abode of a cannibalistic goblin in the guise of an old woman. She actually treats him somewhat well at first, but when she heads off to go get firewood to rekindle the fire, she warns him not to peer into the back room while she is gone. He does well for a long while, but eventually falls prey to his curiosity and peers into the backroom to discover the room filled with blood and bones. He immediately flees the cottage at full speed and the goblin chases after him, revealing her true form. He eventually escapes her when she is erased by the light of the dawn.

The other was "The Ogre of Rashomon". The story is about an ogre who supposedly lingers near a particular gate and captures and eats any who pass by it. A hero hears of the tale and goes to investigate it for himself. At first he does not spot the ogre, but it eventually reveals itself and the two fight. The ogre is unable to beat the hero and flees, but the hero finds the ogre's arm on the ground and takes it with him. He's praised for fighting off the ogre, but in fear of the ogre's desire to reclaim its arm, he fashions the strongest box that he can and refuses to open the box for anyone. Eventually, the ogre comes in the guise of his old nursemaid and manages to convince him to open the box. The ogre then reveals its true form and reclaims its arm, and the two fight once again. The hero is nearly able to slay the ogre once again, and when the ogre escaped this time, it never bothered anyone again in fear of the hero's retribution.

Story Sources:

"The Goblin of Adachigahara" by Yei Theodora Ozaki [Part A] [Part B]

"The Ogre of Rashomon" by Yei Theodora Ozaki [Part A] [Part B] [Part C]

Image Source: Ogre Clipart by GDJ

Monday, October 19, 2020

Week 9 Reading: Japanese Fairy Tales (Ozaki), Part A

Of the three stories in Part A, the story of "My Lord Bag of Rice" was the only one that particularly caught my interest.

In particular, it could be interesting to potentially explore the potential future of the relationships between the hero and the dragons he saved.

In the original story, the king of the dragons lies in wait, covering a bridge with his fearsome bulk. When the hero steps over the dragon, the dragon transforms into a human and asks the hero for help. Each night a dreadful giant centipede attacked the palace and carried off one of the dragon's children or grandchildren.

The hero goes to the dragons' palace and after feasting all day, confronts the centipede as it approaches. His first two arrows fail to strike true, but by coating the third arrow in his saliva, it strikes the centipede dead and the hero is praised and rewarded by the dragon king.

A potential story idea I had would be to do a gender swap of the dragon king to a dragon queen and make the hero a woman. Then, when the hero slayed the great centipede, instead of leaving with some rewards, I think it might be interesting for them to instead marry one of the dragons and become the next dragon queen by proxy.

Story Source: "My Lord Bag of Rice" by Yei Theodora Ozaki [Part A] [Part B] [Part C]

Image Source: Dragon Yin-Yang Clipart by CLkr-Free-Vector-Images

Friday, October 16, 2020

Week 8 Progress

Thus far I'm pretty happy with my progress, I've managed to generally keep up with all the deadlines and snag some extra credit to get ahead a bit! I'm most proud of my stories, especially the ones on my portfolio!

Looking forward, I think I'd like to try and finish in Week 13 if I can. In fact, I'm going to do a bit of math here to see if I can figure it out:

238 points currently in the gradebook

24 points for this week's assignments that are yet to be turned in (including this one!)

So total of 262 at the end of Week 8

I need to hit 380 at the end of Week 13 to get an A

Which means I need 118 more points total.

So I can definitely finish on, or potentially even before, Week 13!


The image I chose is a commission I had done by Chiminio (formerly known as Bellachi) of one of my story characters. 
(Her name is Lena! She's a Rabbit Animus who fights alongside her twin sister Yin as part of the magical special forces team known as Hellstorm.)

The instructions were to find an image to motivate us to push onward, and this image of Lena fit the bill for me. I've had this piece of art for a long while, and I still love it just as much as the day I got it. (Plus her expression was fitting too, given my new discovery that I should be able to finish early.)


Thursday, October 15, 2020

Week 8 Feedback and Comments

In terms of the feedback I'm getting, I get a mix of a lot of praise and some feedback in terms of what I could potentially do to change up my stories or improve them. Honestly, all of the comments are useful in their own way. The ones that are praise help fuel me to keep working, even if that's all that they do!

I think I've found some solid strategies for giving feedback in most cases. Generally I only struggle when there isn't much to actually leave feedback on.

I don't know how well I'm actually able to get to know others through their blogs or my own. I used to turn on notifications for all my comments on the blogs of others, but after never getting a single response comment, I stopped doing that. I respond to all the comments on my story posts, but again, no further response from anyone, and I doubt many of them even see my comments at all. I am still happy with my blog and introduction post themselves though.

I don't really know if I have any changes I feel I ought to make. I think what I'm doing seems to be working quite well so far.


I chose the above image from the Growth Mindset Site (link). I thought it was a nice sentiment that I agree with, and the picture is quite fitting. It's okay to fail, it's just not okay to stop trying.

Wednesday, October 14, 2020

Week 8 Reading and Writing

Overall I'm pretty happy with how my story-writing assignments have gone. I've been really happy with some of the stories I've written for the course. And so far it's been nice to be able to take my favorite story posts that I'm the most proud of and then add them to my portfolio. (Which thus far have been "The Three Roses" and "The Clever, Brave and Wise".)

My reading notes are useful for me to help me determine which story I'll be using as the base of my story posts. I usually use them to give an overview of either the full story or the part of the story that I would be most interested in focusing in on.


So while the assignment did say to use an image from one of our story posts, reading posts or project, this image was one that was at one point intended to be used for either a story or reading post. (I honestly don't even remember which now.) So I thought this might be a decent place to showcase the image, since I never ended up using it, but I really like the aesthetic of it a lot.

My primary hope for the rest of this class is to write more stories that I'm very proud of. I think I have some degree of idea how to go about it now. I've found that the stories I've liked most were often the ones I made the most significant changes to. Both of my portfolio stories exemplify that. So I think I'll try to find ways to work in twists of my own to the future stories.

Image Source: Pikist

Tuesday, October 13, 2020

Week 7 Story: The Giantess and the God of Mirth

NOTE: This story can now be read over on my portfolio site, A Monster's Bond, so please go check it out there, since it will have more editing and refinement than this version!

The Giantess and the God of Mirth

The fragile, yet stunningly beautiful, goddess princess Ninigi was tasked by her grandfather, Amaterasu the sun god, to descend to the world below in order to bring peace to the chaos that had enveloped it.

But, before she could set out upon her journey, a fearsome giantess, whose height was topped by the mountains alone, took up a position before the bridge.

Not one of the hundreds of gods and goddesses dared to face the fearsome giant, and so it fell upon Ninigi's shoulders to select someone to speak with the giantess. She pondered deeply before eventually calling forth Uzume, the gorgeous god of mirth.

"You beckoned me, Princess?" Uzume said with a flourish.

"I did indeed, Uzume," Ninigi said. "I require you to go forth and meet with the giantess blocking the bridge to the mortal realm to ask why she has come. Your looks are unmatched by any among the rest of the gods, and so perhaps you shall survive your encounter with the giantess since she may not wish to mangle a beauty such as you."

"Very well," Uzume said. "I will go and meet with this giantess that all are too fearful to approach once I have done myself up in my finest raiment."

And so Uzume washed himself in a sacred spring nestled in the mountains in which the waters ran crystal clear. He dried himself and then wrapped himself in a black kimono that was embroidered with elegant golden dragons. And then he made his way to meet the giantess.

The giantess had skin the color of river stones and long, flowing hair the color of the clouds above. Her toned body was wrapped in layers of charcoal colored dragonhide, and she held a metal staff that stood as tall as herself. Yet, despite her fearsome stature, her face was pleasant to the eye, and her ruby eyes glittered when Uzume approached.

"Who is it that has the strength of will to approach me? the giantess rumbled.

"That would be I, Uzume, god of mirth," Uzume said with a laugh. "And who might you be, fair maiden?"

The ground quaked as the giantess laughed, yet Uzume did not falter, and even laughed along with her.

"I believe you may be the first to call me a fair maiden, but they call me Saruta-niko," the giantess said. "I am the deity of the field paths."

Uzume smiled. "Well met, Saruta-niko," he said. "Why have you come to block this bridge? Surely you've noticed the fear that has been struck into the hearts of those that dwell here."

Saruta-niko frowned and stared forlornly at the ground. "While I cannot do anything to prevent their fear," Saruta-niko said, "I have come to be Ninigi's guide on her journey upon the ground below, for there are none who know the earth as well as I."

"Very well," Uzume said. "I shall bring Ninigi here so that you two might head down to the world below."

Uzume turned and began to walk away, but before he was out of earshot he turned and called back over his shoulder to the giantess. "Also, know that there will always be one god who does not fear you, Saruta-niko," Uzume said, and his pleasant laughter carried along the wind as he returned to Ninigi.

Saruta-niko smiled at his receding back and waited patiently for his return.

Within the day, Uzume returned with Ninigi, and he bid the pair off with a joyful wave and a smile.

Saruta-niko was indeed a faithful guide to Ninigi, and with her presence, none dared to intrude on Ninigi's mission. After a span of years, Saruta-niko constructed a palace from which Ninigi could slowly bring peace to the land.

With the need for Saruta-niko's services now past, Ninigi wished to reward her loyalty.

"Saruta-niko, you've served me faithfully for many years, what can I bestow upon you in repayment?" Ninigi asked.

"I would like to marry the one god who has no fear of me in his heart, if he will have me," Saruta-niko said.

"I shall summon him at once," Ninigi said.

And so she summoned Uzume to her palace in the mortal realm.

"Why have I been called, Princess?" Uzume asked.

Ninigi gestured at the giantess. "As repayment for her service, this one here has asked only for the hand of the one god who does not fear her," Ninigi said. "What say you, Uzume?"

Uzume chuckled and smiled. "I have no objections," he said. "I would be honored to wed a woman of such beauty and loyalty as she."

Saruta-niko smiled and lowered her open hand so that Uzume could step onto her hand. She stood back up with him in her hand, but then she frowned.

"Princess, could I perchance ask of you a second thing as a reward for my service?" Saruta-niko asked.

"What is it?" Ninigi said.

"Could you grant me the power to shrink so that I might hold my dear husband close without fear of crushing him?" Saruta-niko asked.

"Consider it done," Ninigi said. 

Ninigi stepped forward and laid her hands on Saruta-niko's ankle, and the giantess steadily shrank until she stood only a few inches taller than Uzume, who now stood beside her. The pair embraced and then smiled at one another.

They were wed in a grand ceremony with Ninigi's blessing, and they spent the rest of eternity together in their wonderful home atop a mountain covered in sakura trees that were always in bloom.


Author's Note

I technically didn't stray too far from the original story in terms of overall plot points, though I changed many of the details of the story, as well as the focus of it. The original was focused around Ninigi, but I was most interested in Uzume and the giant, so that's what I focused on in my story.

The most notable change I made was to gender-swap all of the characters, since I thought it might be a fun twist to have a giantess and a god of mirth instead of a giant and goddess of mirth. I've also found doing that helps inspire me by altering the characters into something new.

There were two notable plot changes I made, though they're rather slight. The first is that Uzume more directly flirted with the giant in their first interaction, since I felt that helped hint at the ending a bit better. And the other change I made was having the giant actually ask for Uzume, rather than simply be granted Uzume by Ninigi as the reward for the giant's service. I thought it helped to make a better ending for this little story.

All of the other changes were just adding or changing details to help flesh out the story's imagery in my rendition, so I won't cover those here, since they have no real impact on the story itself.

I hope you enjoyed this story of mine!


Bibliography

Story Source: "The Heaven-Descended" [Part A] [Part B] by E. W. Champney and F. Champney

Image Source: Painting of Sakura Trees by AnnaliseArt

Week 7 Reading, Japanese Mythology, Part B

Of the readings in Part B, there were three stories that interested me.

The story of "The Sacred Sword" was interesting, in which it detailed how Yamato was tempted by a siren who sought to steal the sacred sword from him, and then he had to retrieve the blade from a demonic stag which had been tasked to bring the blade to Susa-no-wo. He received guidance and boons from a goddess in order to find and bring down the stag in order to reclaim the lost blade.

The story of "The Dragon" took place immediately after the story of "The Sacred Sword". In it, Yamato was determined to slay the siren who stole away the sacred sword, but he fell into her clutches once more. He would have been stuck in her clutches if it were not for his faithful princess Tacibana, who helped to free him from her clutches. Yamato collapsed against her, but when he awoke she was nowhere to be found and his people were in a panic. When he arrived at the palace, there had been a great slaughter, but among it all was Tacibana, who called upon the storm god to force the dragon Susa-no-wo down so that he could be slain. Yamato fought the dragon and managed to win, banishing him to the sea. Tacibana and Yamato lived together happily for several years, but when Yamato set out on a voyage, the god of the sea was angered by the hubris of Yamato, and Tacibana sacrificed herself to appease the god and save her husband. Thus ended the tragic tale of Yamato and his wife Tacibana.

The last story I found interesting was "The Jewel of Heart's Desire" and "The Quest of The Jewel" which were a pair of stories that went together. A warrior empress sets out on a journey to retrieve a glorious and powerful jewel, and while she succeeds in attaining it, it is stolen by a siren on the return journey. The prime minister is tasked with retrieving it, and when he can't he despairs and intends to toss himself from the cliffs in his disgrace. However, he is stopped by a fisherman's daughter who loved the prime minister in secret, and she spots the jewel sparkling in the sea. She dives to retrieve it, but is captured by a dragon. In order to keep the dragon from reclaiming the jewel, she stabs herself and puts the jewel in the wound, for dragons will not touch a corpse. The prime minister retrieves the jewel from her corpse, but is saddened by her death, and prepares a grand honoring parade for her. All of the citizens lay honor upon her, and the empress herself makes her a princess post mortem.


Story Sources:

"The Sacred Sword" [Part A] [Part B] by E. W. Champney and F. Champney

"The Dragon" [Part A] [Part B] by E. W. Champney and F. Champney

"The Jewel of Heart's Desire" by E. W. Champney and F. Champney

"The Quest of the Jewel" by E. W. Champney and F. Champney

Image Source: Japanese Dragon on Wikipedia

Tuesday, October 6, 2020

Week 7 Reading: Japanese Mythology, Part A

Two of the stories in Part A particularly interested me.

The first of which, "The Eight-Forked Serpent of Koshi" is about Susa-no-wo encountering an elderly couple in the forest, who grieve over their youngest daughter of eight, who is the last of their children, for the others had been consumed by a serpentine monster. Enticed by the daughter's beauty, Susa-no-wo agrees to slay the serpent in exchange for her hand in marriage. He drunkens the serpent and then cuts it into a thousand pieces. In the tail of the serpent he finds a powerful sword, which he hands off to the rulers of Heaven, and then he marries the daughter.

The other story that interested me was "The Heaven-Descended". In particular though, I found the part about Uzume and the giant interesting. You have this gorgeous goddess of mirth who fearlessly addresses a fearsome giant after being sent to greet him by Ninigi. And that amuses the giant, who gives a message for her to pass along to Ninigi, that the giant would be his guide. And once Ninigi descended to Earth, the giant did indeed serve as his guide, eventually building him a great palace. And for the giant's faithful servitude, Ninigi granted the giant Uzume as a bride, and the two lived together happily. I feel there might be room in there to add onto the story, or explore their life together a bit more, since I like the way the two are characterized.

Sources:

Story Source: "The Eight-Forked Serpent of Koshi" by E. W. Champney and F. Champney

Story Source: "The Heaven-Descended" (Part 1) (Part 2) by E. W. Champney and F. Champney

Image Source: Artwork of Uzume

Friday, October 2, 2020

Week 6 Story: The Clever, Brave and Wise

NOTE: This story can now be read over on my portfolio site, A Monster's Bond, so please go check it out there, since it will have more editing and refinement than this version!

The Clever, Brave and Wise

A noble councilman and his wife had two children, the first of which was a daughter who was as beautiful as her mother and as noble as her father, and the second was a son who they named Moonlight, for he was as stunning as his namesake and his kindness was like a light in the darkness for all who met him.

Once Moonlight came to be of marriageable age, he brought forth a request to his family.

"Father, Mother, Sister," Moonlight said. "I will marry a woman who is clever, brave or wise, and I will take no other. So long as she is clever, brave or wise, I shall gladly accept the proposal."

While Moonlight's father set about his business for the council, he was approached by a woman with hair the color of silver who was adorned in the simple clothes and fanciful trinkets of a tinkerer.

"Are you perchance the father of Moonlight?" the silver-haired woman asked. "If so, I would like to ask for his hand in marriage."

"I am indeed," the father said. "To marry Moonlight you must be clever, brave or wise, which are you?"

"I am clever," the woman said. "Please allow me to prove this to you."

She brought the father to her workshop, which was filled with wonderous inventions forged of metal, including a bow that would amplify the force of an arrow threefold and a chariot that could fly.

The father was much impressed by her workmanship and accepted the silver-haired woman's proposal, slating the wedding for the seventh day.

While the father was away, Moonlight's sister was shopping in the town when she was approached by a woman with hair the color of gold who wore intricate plate armor and a sword at her hip.

"Would you be the sister of Moonlight?" the gold-haired woman asked. "If so, I would like to ask you for his hand in marriage."

"I am his sister, yes," the sister said. "But my brother will only accept a wife who is clever, brave or wise, which are you?"

"I am one who is brave," the woman said. "If you will follow me, I shall prove it."

And so the sister followed the gold-haired woman to the training area of the city guard, and the woman demonstrated her great prowess with many weapons by besting members of the guard.

The sister was in awe of the woman's great skill in the martial arts, so she accepted the gold-haired woman's proposal and slated the wedding for the seventh day.

That same day, Moonlight's mother was sitting on the veranda of their estate when a bronze-haired woman in the elaborate robes of a sage approached her.

"You are Moonlight's mother," the bronze-haired woman said. "I would like to ask for his hand in marriage."

"Yes, I am his mother," the mother said. "My son will only take a wife who is clever, brave or wise, which are you?"

"I have great wisdom," the woman said. "I will prove this to you."

The bronze-haired woman demonstrated the ways in which she could see that which was true, allowing her to know of things that might otherwise be unknown.

The mother was astonished by the bronze-haired woman's knowledge and abilities and accepted the bronze-haired woman's proposal, slating the wedding for the seventh day.

When the father returned home, he told his wife and daughter what had happened and what he had done. After he had finished, they each relayed the events of their own days, and the three came to realize they had invited three intended brides to the same wedding, and they were unsure how to choose between them.

However, when the day of the wedding came, Moonlight was nowhere to be found.

"Moonlight has been abducted by a mighty dragon," the bronze-haired woman said. "He has been taken to her cave in the northern woods."

The father was frightened, and asked for the silver-haired woman to come up with a means to save their son. She swiftly produced a flying chariot and the powerful bow that she had shown the father before. 

The three female suitors and the father set out to the northern woods in the flying chariot, and they swiftly arrived before the dragon's cave. 

The dragon pounced out of the cave to meet them with her her great wings outstretched, and she stood taller than a house, with platinum scales and a crest of black horns

The gold-haired woman took the bow the silver-haired woman had created and stepped forward to face the dragon. She and the dragon battled, but neither could inflict any serious wounds on the other.

However, a few minutes after the fighting began, Moonlight ran out of the cave with his arms outstretched.

"Please, both of you, stop!" Moonlight called.

Both the gold-haired woman and the dragon stopped and all present turned to look at Moonlight.

"Father," Moonlight said. "I see that you have brought the three female suitors who are clever, brave or wise. However, I do not wish to marry any of them."

"Why, my son?" the father asked. "Are they not exactly as you asked?"

"They are indeed clever, brave or wise," Moonlight said. "However, I have found one instead who is all three."

"Where is this individual that is clever, brave and wise?" the father asked.

Moonlight stepped up next to the dragon. "This mighty dragon is all of these things," Moonlight said.

As he spoke, the dragon morphed into the form of a platinum-haired woman with black horns in an elegant platinum dress.

Moonlight took her hand and she smiled at him. "Father, will you allow us to be wedded?" he asked.

In spite of the protests of the female suitors, the father agreed to have them married, and so Moonlight happily married the mighty platinum-haired dragon.


Author's Note:

I had a lot of fun making some changes to this story.

Firstly, I did a gender swap for Moonlight, Moonlight's sibling, the three suitors, and the monster. So Moonlight became male, and the sibling, suitors and monster became female.

The biggest change I made though was to the ending of the story. 

In the original story, the brave suitor slays the monster, and then the three suitors argue over who truly deserves to marry Moonlight, as the Wise suitor told where Moonlight was, the Clever suitor provided the means to get there and to slay the monster, and the Brave suitor actually slayed the monster. This was pitched as a sort of riddle, and the ultimate decision was that the Brave suitor should marry Moonlight, since they actually slayed the monster.

I decided to change it up though, and instead have Moonlight marry the monster. The original monster was a cruel giant, but I instead turned it into an elegant dragon. And then to provide the justification for the choice within the story, I thought it made sense that the dragon would be Clever, Brave and Wise, in essence making the dragon equal to all of the suitors put together. (And I feel all of this suits the typical mythos around dragons, which can often shapeshift, and are often very intelligent and courageous)

I also decided to include a little detail in the hair colors of the four eventual suitors, which was something of a ranking for who was most fit to marry Moonlight. So I selected the hair colors in order of increasing value, so from Bronze to Silver to Gold to Platinum.

The Wise suitor in the original story struck me as being the most replaceable, since there are plenty of ways to figure out where Moonlight had been taken, so I gave the Wise suitor Bronze. The Clever suitor was what enabled the Brave suitor to get there quickly and slay the monster, so I gave them Silver. And of course, the Brave suitor is the one who was actually slaying the monster to save Moonlight, so I gave them Gold. And then I made the dragon Platinum, since the dragon was greater than all of them.

Another fun little detail I included was while the other two suitors asked to make sure they had the right person, the Wise suitor simply knew they were asking the right person.

A minor detail I changed was that I swapped the order of the adjectives. "Brave, Wise and Clever" was how the original did it, but I thought it made more sense to put them in the order we meet the suitors, which would be "Clever, Brave and Wise".

I think that about sums up the changes that I made to this story, and I hope you enjoyed reading it as much as I loved telling it!


Bibliography:

Story Source: "Brave, Wise, Clever" by Arthur W. Ryder

Image Source: Clipart by OpenClipart-Vectors

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